Understanding Photoshop is a biweekly column that takes an in-depth look at how digital photographs are built and manipulated.  It is a college-level course in plain english for free at Photofocus.  To learn more see this article.

Don’t Skip Column 1

OK, prepare to be temporarily confused (but not for long). A lot of terms are used to describe image resolution. The problem is that many people (and companies) use the wrong terms, which (understandably) leads to a great deal of confusion. Let’s take a quick look at the most common terms and their accurate meanings. Knowing how to describe the resolution of images and output devices will help you make the right decisions when purchasing or choosing gear to use.

It’s only in evaluating printers that the term dots per inch (dpi) makes sense.   istockphoto/gmnicholas

It’s only in evaluating printers that the term dots per inch (dpi) makes sense.  istockphoto/gmnicholas

Dots per Inch (dpi)

The most common term used to describe image resolution is dots per inch (dpi). Although you’ll hear it used for digital cameras and scanners, it is really only appropriate for printers. As a measurement of output resolution, dpi is fairly straightforward.

To determine dpi, it is necessary to count the number of dots that can fit along a 1” line. A higher dpi can mean smoother photographs or line art; for example, newspapers tend to use around 150 dpi, whereas magazines can use up to 600 dpi. Consumer printers easily print at 600 dpi or even higher, which can produce extremely good results (when using the right paper). An increase in dpi can produce even better looking images. You’ll see (and hear about) dpi used a lot, but it solely refers to print and physical output.

In a commercial printing environment, very high-resolution images are required. istockphoto/johnnyscriv

In a commercial printing environment, very high-resolution images are required.  istockphoto/johnnyscriv

Pixels per Inch (ppi)

When you view your images on a computer monitor, you are seeing pixels displayed on your screen. Computer monitors use the concept of logical inches. Originally, the Mac OS most commonly used 72 pixels per inch (ppi) to match the concept of the printing idea of 72 points per real inch of paper. The Windows OS has traditionally used 96 ppi.

As computer monitors and portable devices have evolved, they’ve advanced to support variable resolution settings. As such, the actual ppi for a screen can vary greatly depending on the physical size of the screen and the resolution being used by the computer’s graphics card. For example, modern laptops often use resolutions between 100–140 ppi and devices like an iPhone can jump all the way up to 326 to make images crisper on the small screen.

Worry less about the ratio of pixels per inch on your screen and simply accept that the standard measurement of resolution in Photoshop (and most computer programs) is ppi. When talking about displayed graphics, its ppi, not dpi.

Fig 01_07 RezNew

Modern computer monitors support various screen resolutions. Changing the monitor resolution results in a different amount of pixels per inch displayed on your monitor. Do not run Photoshop at a screen resolution of less than 1024 x 768, or it will cause user interface problems (1280 x 800 or higher is recommended).

Samples per Inch (spi)

istockphoto/ rustemgurler

Although they are less common than they used to be, many professionals still use scanners to load sketches, photos, and original negatives. Manufacturers often tout the dpi capabilities of their scanner. This is inaccurate. Scanners don’t use dots, they use samples. A sample is when a scanner captures part of an image. Samples per inch (spi) is a measurement of how many samples are captured in the space of one inch. In general, an increase in sampling leads to a file that is truer to its analog original. However, there is a threshold: Once a certain amount of information is surpassed, human senses (and electronic output devices) cannot tell the difference.

Consumer-level scanners can capture optical resolution ranging between 300 and 4800 spi. Professional devices can capture significantly higher optical resolution. If you’re working with a large image, a lower number of samples is fine. If you’re enlarging a very small image, a large number of samples is crucial. More samples per inch translates into more information available as pixels, which can then be harnessed in output when they are converted to dots in the printer. So if your scanner’s software says dpi, it really means spi, but you can see how the two are closely related.


TIPScanner Advice

The most important issue with scanners is optical resolution versus interpolated resolution. A scanner captures optical resolution through hardware. Interpolated resolution is what happens after the captured data is enlarged via software. You should only care about the optical resolution when choosing a scanner.

Lines per Inch (lpi)

This image has been converted to a halftone, as is evident by the visible dot pattern. istockphoto/penfold

This image has been converted to a halftone, as is evident by the visible dot pattern. istockphoto/penfold

In professional printing environments, you’ll often hear the term lines per inch (lpi). This is from the traditional process where images with gradiated tones (such as photographs) are screened for printing to create a halftone. This was originally performed by laying film with dots printed on it over the film before exposure. In the digital age, this process and terms are used less often, but it is still good for you to have a basic understanding.

This image has been converted to a halftone, as is evident by the visible dot pattern. istockphoto/penfold

These days, the work of converting an image to lines is performed by an imagesetter. The dots are arranged in lines, and the lpi measurement refers to the number of lines per inch. An increase in lpi results in smoother images. Table 1.1 shows the most common lpi settings for different output formats.


Table 1.1Common lpi Measurements Output Method Typical lpi

Output Method Typical lpi
Screen printing 35–65
Laser printer (matte paper) 50–90
Laser printer (coated paper) 75–110
Newsprint 60–85
SOffset printing (uncoated paper) 85–133
Offset printing (coated paper) 120–150+
High-quality offset printing 150–300


TIPA Fix for Those with Less Than Perfect Eyesight

Are you working with a high- resolution monitor and having a hard time seeing your menus in Photoshop? You can change the size of the display text. Press Command+K (Ctrl+K) to open the Preferences window and select Interface. From the UI Font Size menu choose Medium or Large to give your eyes a break.

To get occasional updates and digest emails concerning this series, you can join the Understanding Photoshop email list.

This Post Sponsored by:

Photoshop World. Learn more in 3 days than you have in 3 years. Photoshop World is the leading conference for Photographers, Photoshop and Lightroom users. August 11-13, 2015.

Arizona Highways Photo Workshops. For more than 30 years, Arizona Highway Photo Workshops has been committed to helping photographers find inspiring destinations, quality education and spectacular images. Get more information (and enter our contest) at http://www.ahpw.org/FindIt/.

Creative Cloud Photography planTake your best shot and make it even better with the Creative Cloud Photography plan. Get all the essential tools, including Adobe Photoshop Lightroom and Photoshop, to craft incredible images every day, everywhere — whether you’re a beginner or a pro. It’s all your photography. All in one place.

Urban Photographer of the Year. Now in its ninth year, the global competition challenges photographers to capture what urban means to them through the theme “Cities at Work.” The competition is free to enter and open to both professional and amateur photographers. The winner will be able to choose a luxury photo safari from a range of exotic locations sponsored by CBRE. For more, please visit the competition’s official website at www.cbreupoty.com

lynda.com Learn photography anytime, anywhere, and at your own pace—from bite-sized tutorials to comprehensive courses. Try lynda.com free for 10 days by visiting lynda.com/Photofocus.

The HDR Learning Center Check out new ways to use High Dynamic Range photography to make compelling images. Free tutorials and posts to get results. Produced in partnership with HDRsoft

Join the conversation! 2 Comments

  1. Reblogged this on myphotofeeds.

  2. […] Techniques and Rules all new Camera Owners Should Know   RAW vs Jpeg   Image Quality Resolution Image Size vs Image Quality Image Quality Image Quality and […]


Let us know your thoughts...

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

About Richard Harrington

Richard Harrington is the founder of RHED Pixel, a visual communications company based in Washington, D.C. He is the Publisher of Photofocus as well as an author on Lynda.com. Rich has authored several books including From Still to Motion, Understanding Photoshop, Professional Web Video, and Creating DSLR Video.


Adobe, Photography, Software, Technique & Tutorials


, , ,